2019 Jan(bw) + 2017 May (solarisation).

They say ev’rything can be replaced
Yet ev’ry distance is not near
So I remember ev’ry face
Of ev’ry man who put me here
I see my light come shining
From the west unto the east
Any day now, any day now
I shall be released      (Bob Dylan)

…Although I don’t like Bob Dylan, this song is very impressive.
But in this photo the light is coming from the east.



2019 Jan(bw) + 2014 May (color).

みわたせば はなももみぢも なかりけり うらのとまやの あきのゆふぐれ —藤原定家—

There are no flowers or autumn leaves around, in the autumn sunset of a thatched hut behind.
—Fujiwara no Teika—

Quoting this Waka-poem, I can say that almost all my photos are based on that thought. From subjects which have no beautiful flowers or attractive matter, I would like to make them beautiful or attractive, by controlling focus or angle or composition.

Our eyes can only see the scenery but the results of the photos can show us the beautiful scenes which actually exist in reality but are difficult to recognize.



2019 Jan (bw)Pentax spotmatic + 2017 May (color) canonFTQL Fuji C200.

When I was a toddler, we sang a song in the kindergarten every morning. Because the kindergarten was owned by a temple, it was a song to teach the children to pay respect to the roadside statues and dedicate the beautiful natural flowers to them.



This evening, after the rain, the sky was pink all over.
I’ve never seen the sky like this before, of course, before I’ve almost never seen the sunset sky.
(I think my Soligor has trouble with long distance focusing.)

And the rain in the morning. It is not failure focusing, but intentional focusing on the rain only.
This is with super-takumar 55mm1.8.