2018 Sep(bw)vivitar ultra slim&wide,Rollei retropan320 + 2014 Feb(solarisation) Spotmatic,Fuji C200.
When and who sat on these chairs last time?
Do those chairs still drift in the memory of the days when they were still needed as chairs?
2018 Sep(bw)vivitar ultra slim&wide,Rollei retropan320 + 2014 Sep(solarisation) Spotmatic,soligor,Fuji C200.
A house in the weeds decorated with blooming leaves.
2018 Sep(bw) Spotmatic,efke100 + 2016 May (solarisation) Spotmatic Fuji C200.
Lotus + Old Baccarat.
The lotus holds tears for the loss.
2018 Sep (bw)spotmatic ,efke100 + 2017 Sep(solarisation) praktica, C200.
Lotus x White Spider lily.
2019 Jul(bw) + 2016 Jan(Solarization).
“Down to the earth” … this is from the album title of Rainbow. I don’t like Ritchie Blackmore but I do like Graham Bonnet. That is why I had this Vinyl.
2019 Jan(bw) + 2017 May (solarisation).
They say ev’rything can be replaced
Yet ev’ry distance is not near
So I remember ev’ry face
Of ev’ry man who put me here
I see my light come shining
From the west unto the east
Any day now, any day now
I shall be released (Bob Dylan)
…Although I don’t like Bob Dylan, this song is very impressive.
But in this photo the light is coming from the east.
2019 Jan(bw) + 2014 May (color).
みわたせば はなももみぢも なかりけり うらのとまやの あきのゆふぐれ —藤原定家—
There are no flowers or autumn leaves around, in the autumn sunset of a thatched hut behind.
—Fujiwara no Teika—
Quoting this Waka-poem, I can say that almost all my photos are based on that thought. From subjects which have no beautiful flowers or attractive matter, I would like to make them beautiful or attractive, by controlling focus or angle or composition.
Our eyes can only see the scenery but the results of the photos can show us the beautiful scenes which actually exist in reality but are difficult to recognize.
